House of Bernarda Alba- Elements of House

Bernardas tolerate serves on a get along of levels as the central see to it in the snap. How does Lorca use the hold to convey his sentiments? In order to arrive at the central paper in Federico Garcias last go, House of Bernarda Alba, the title is the first promoter to be reflected on. Lorca has not presumably named the defraud Bernarda Alba, or Day of Bernarda Alba. He had named the play House of Bernarda Alba because it will let the reader draw tending both to Bernardas syndicate in the sense of Bernardas family and to the somatogenetic space of house itself, which functions as the central image of the play.The play employs number of themes which ar supported by the central image of house. The state of house much(prenominal) as discolour, size, temperature, condition and prop, which argon nonverbal elements all join with the theme which Federico is trying to convey. These features will caution to provide the audience with cultivation about the setting of the play and give insight to the underlying estimates such as totalism, purity, fate and choice, independence, confinement, and cozy oppression.The play commences with the brief description of the house, which aid to communicate the central image of purity, and fate and choice to the audience in truth white inner room in Bernardas house. Thick walls. bandy-legged doorways with jute curtains trimmed with shocking string of beads and ruffles. These descriptions argon the important elements of the house. Readers are equal to obtain the associated idea from the play by having a general judgment of the setting. From the description, first, colour is the element to consider. The walls of the house are all painted white.Because the play is set in Spain, this is the characteristic of homes in the country, since white reflects the sunlight and prevents house from heating. Though, the white colour in a deeper meaning, symbolises the purity and virginity. All the daughters in the house have not married yet, and after the funeral of the second husband, they are not allowed to look at men. in that locationfore, white also represents the restriction of emancipation and choice, where the restriction of choice is derived from evidence that all the rooms are coloured white. The girls have no choice they cannot choose their destiny.Moreover, the family name Alba means white. This colour is seen as a contrary to the opaque dress of the women in the mourning as they enter the house. The colour black symbolises termination and have an tack of foreshadowing the death of the character Adela, a victim of Bernardas tyranny. The decoration, props and set of the room also aids in obtaining the idea of totalism and confinement. The Thick walls indicates difficulty for the girls to escape the confinement of Bernardas control, once again suggesting the idea of restriction of the girls freedom.From the description of the house,Arched doorways with jute curtains trimmed with black beads and ruffles. the jute curtains are described as being tied with black beads and ruffles. The jute is used for making rope and rough fabric, which symbolises men as ropes are generally used for mens labour. Therefore it is symbolic for male presence in the home, likely from Bernards husband. Though, the black beads indicate the stage of mourning the house is in due to death of Bernardas husband.The decoration, Pictures of nymphs or legendary kings in improbable landscapes depicts imaginary places, exactly it is an alternate reality which girls wish to escape to. In the form of cypher and being hung on the white wall emphasise that the fantasy is in place where it is out of reach for the girls. The kings serve as an idea of dictatorship in the house, which in this play, Bernarda is the king, the ruler and the house is her castle. Through the symbol of heat we see that Lorca makes the reader realise the tension heightening in spite of appearance the characters, whic h conveys the idea of informal oppression.At the beginning of the play, Bernarda locks her daughters into the house, away from the outdoors world. There are eighty years of mourning ahead of us. While it lasts not even the steer will get into this house. Since Bernardas husband died, she does not want her daughters to be open to the outside world. Bernarda, trying to be helpful, wants her daughters to be pure and safe. But since the house is locked, no wind will shine in the house and therefore heat will build up in the house. If the wind is symbolised as the men, the daughters who are not exposed to the wind (men) builds up their sexual desire.Characters who are not victim of this heat are the male characters that are shown outside the house. They are cooler in the bench or in the fields, suggesting symbolically that they do not suffer from sexual frustration. Is the lemonade ready? Give some to the men. Theyre having some on the patio. The symbolism of what is inside the ho use and what is outside is also illustrate the idea of freedom and dictatorship. The doors and windows serve as a both barriers and bridges. To the daughters, the outside represents freedom, new life, and sexual fulfilment.Throughout the play, the daughters number of times runs to the window and look at the outside world the crowd leaving the funeral, men going to work in the fields, and arrival and departure of Pepe el Romano. Since hell be coming roughly the corner, you can see him better from the window in your room. The Maid exits. Adela hesitates for a moment, then she, too, rushes off towards her room. Bernarda strikes Angustius for looking out through the cracks of the grit door, maintaining the idea of no freedom and choice for the girls. To Bernarda, the outside of the house represents threat to the report card of her family name.She does not want her privacy to be spread in public, from her pulsation to protect her daughters. Bernardas power in the house means that s exual activity takes place outside the house as the house is all told under her control. This is evident when the Maid says, Rot away, Antonio Maria Benavides, stiff in your woven sit and your high boots Rot away Never again will you lift up my skirts behind the back corral The back corral is outside the house, which illustrates the lack of restrictions out of the house. Another example is when Pepe and Adela meet.They do not meet at the house, but at the corral. accentuate Lorca was booming in portraying the idea of the play through the central image of house, which included dictatorship, purity, fate and choice, freedom, confinement, and sexual oppression. Bernardas house thus functions as a central image in Lorcas final play by the use of colour, symbolism and other element of scenic design. The readers are able to obtain the various ideas Lorca is trying to inform, and we also get an idea of how some households were like in Spain during the civil war time.Moreover, this play was compose during the Francos regime of Spain, which there were fascism involved. Women were treated unfairly in the society, such as their pay. Women could not make choices of their own including marriage. This point reflects the idea of daughters not being able to marry due to commanding power by Bernarda. The fact that these nonverbal elements of the house contributing to the central idea of the play makes the reader think deeply, which let us gain true taste sensation for a work Lorca has done for his final moments of life. Words 1257