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Sunday, October 20, 2013

Riefenstahl's Triumph of the Will: A Work of Art?

Riefenstahls Triumph of the entrust: A Work of Art Leni Riefenstahls national socialist documentary, Triumph of the Will, however skilfully dazzling and disingenuously made, contradicts the mordant and inhumane actions of the Nazi regime the look at celebrates. This propaganda moving-picture show outfit by Adolf Hitler, documents a 1934 Nazi bound in Nuremberg, Ger galore(postnominal). The convey inventively presents the rallys grandeur, swastika banners waving gaily, thousands of German people eager to see and discover Hitlers address. beneath Hitlers authorization and Riefenstahls precaution this film canonised and mysticized the Nazi p inventionistic productionistic productiony. The film was used to decriminalise the Third Reich, thereof gaining support for action by the German people. Triumph of the Will poses difficult questions on what constitutes great art more than cardinal years after its completion. When evaluating this film, should we fork the films cr eator, Riefenstahl, from her film and its consequences? When judging a fake as great art, should we separate content from form? Can Nazi art be considered great art although we know their nitty-gritty is against humanity?
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With overmuch of my referencing from Ben Shahns book, The Shape of Content, I allow examine these questions in an attempt to show that great art like anything denominate great must first give certain goals which accept excellence and impact of content and form. Although it is approximately great, its content and tale cripple the art, demoting it to a great technical film and as an examp le of flawed talent. Triumph of the Will, th! ough eloquent and innovative, fails to scratch the status of great art because of the intrinsic nature of content, form, and artist. Although many artists wish for their works to been seen and judged as an commutative entity from themselves, the audience has a tendency to relate the work of art in context to such things as a works diachronic background, its artist, and the personality or purpose crumb the artist. Riefenstahl is no different, consistently...If you want to get a full essay, ordination it on our website: OrderCustomPaper.com

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